Sunday, April 1, 2012

Blood in the Heart part I of II



Broke and traveling to Los Angeles for work.  Missed my flight and now it's storming.  Could've been sunny by now.  The terminal lights reflect white tile floors and matte grey walls all sterile and clean except for a few rogue Starbucks cups and wadded wrappers. There's a kid, maybe twenty-two, with cowboy hat and electrical tape, which fastens little Styrofoam cubes to his forehead and forearms.  He rocks rhythmically to the incantation of his own voice.  He reads with eyes closed from pen-written Sanskrit, which looks to be a pocket Qur'an, four inches thick. Frayed hemp strings dangle from his pockets and I watch out of the corner of my eye. 
            Water speckles and streams down the windows and the sky is so grey that runway and buildings blend right in, blobbing in the distance.  A baby in a green tank and white shorts stares in amazement at the waves of precipitation blowing in, hands and cheek stuck to the glass.  Others, much older, watch out the window with legs crossed on the carpet, phone in hand; coffee in hand.  All transfixed and hypnotized by the ultimate magnet; the derailleur of sprockets lodged deep within their skulls, water is shifting the focus from what is now to what could become and what has been into what we want.  Storm doesn't worsen, but stays steady and true and shuttle buses break through, trailing spray past the window.  My friend rocks, to and fro, back and forth to the hum of his voice and they stare quizzically, searching for answers, but finding contempt and wrinkles for their foreheads. 
            The hub of America; the heart that pumps to more glamorous capillaries, Chicago has a pace attracting even those from the East and even those from the West, all stopping for a connecting flight, whether for work or for play, but to travel; to go; to leave; to depart. 
            Weird, rectangular and geometrically shaped objects pull wagons in the air yard.  And the water pools and ripples and reflects the dead, grey sky.  Big plane of blue and white with monochromatic shading scales in between has its cargo door flung open wide and water streams off the edges.  My mom is worried.  She's working tonight at six.  A big yellow gas line connects to the underside of the plane like an umbilical cord, fueling the machine for its big flight in this big world and only if they'd just put a little more.
            I'm starting to rock with my friend, but it's not to his voice, it's to the thought that I'll never come back; that I'll never speak to anyone again, but not because of a fear for death, rather, the fluttering excitement for the mystery of future.  The rain's letting up.
            And the sky's a little brighter.  LA's a different pace.  You can feel it just waiting to board, or, hoping to board. Most of the minds are in their own worlds living their own lives without any regard or care for the other minds sitting in the adjacent galaxies around them.  It's kind of refreshing.  And all I can care about right now is leaving Chicago. 
            A fat, younger-looking guy shovels three layers of pancakes into his mouth feverishly and without a pause even for air.  He has a guitar with him, but he doesn't look artistic.  He holds his biscuit tight between thumb and forefinger and chomps down on it with crumbs cascading off his lips.  It disappears after three.  Pathetic. I start rocking harder with my friend and he makes me comfortable because he's not afraid.  He's holding the electrical tape tight and it squeezes his hand, making it balloon around the black stripes in bubbles of white.
            Big grey plane crosses the air yard, must be going far.  Rain is streaming lightly now, but it's still somewhat speckled.  The men in the yard are wearing neon green-yellow jumpsuits and they scramble to throw luggage on rolling wheels of conveyor systems.  The baby in the green tank screams as the water lessens, but maybe that's not why.  In the distance, it looks like it has stopped raining, but up close you can tell it is still sprinkling.  Little brown girl with dark hair and black eyes stares and fingers at the speckles of water dotting the glass.  Her brother in the green tank stops screaming and does the same.  His eyes widen in fascination when he realizes that he can't touch what he sees and he smoothes over and over, every so often searching for moisture. Their mother comes over and picks up the boy.  She's a pretty mom with eyes that look deep into the distance and she rocks the tank and his curly head falls. 
            Dorsal fins of large planes stick over the dock extensions, which look like accordions.  Black man shovels pancakes in his mouth like his friend and coughs every two or three minutes.  Every grunt breaks my mood and I want to bury my fingers in my head.   Thankfully, after four minutes, the black man's fat white friend comes wobbling back to the gate with the large guitar case sprouting behind his head and he explains that their flight is ten gates down.  So, they gather their things and breathe hard down the hall and I exhale and let my shoulders fall.
            And I look at my friend who has tucked away his electrical tape and neatly closed and banded his important text and his eyes meet mine beneath the black brim of his hat and we exchange a half-smile and a quick look away and that was all that was needed to make the connection; to understand and to comfort.  As I stare at my feet, I feel relaxed and composed with the energy to do anything, like all restrictions have been dissolved.
            Just need to get on this plane.
            Rain still patters but the streamers are slower and speckles are hanging on for dear life.  The grey sky opens to show some blue and a tiny plane rises slowly to meet it.

Here, I sit in a cove of a Long Beach harbor, the sunset pink and orange, all palmy silhouettes and fishermen in casual clothes wipe down the cabins of their boats, carrying poles to the deck.  It must be night fishing.  An open condom wrapper sits next to me, half-buried in the sand… must be night fishing. 
            There are a lot of birds swooping around the sky with one grey pelican gliding softly over the water and another one curving high.  The water is smooth, but still ripples a bit.  Half of the boats have American flags hanging and the moon sits directly above a lighthouse.  A woman takes photos of it.  In the distance, a helicopter hangs motionless in the sky with a flaming red beacon for a tail, pulsating like the lights on a heart monitor.  And I resonate, feeling my chest rise and fall with the red gleam. 
            The harbor is pretty much empty and I'm in complete awe of its beauty.  No longer does it matter that my wallet is flat, but I guess you can attribute that to the fact that my company is paying for every meal that I devour in the dim lights of the hotel bar every night.  The other side of the harbor has many more masts and with all of the hanging white lines, it looks like a dead forest.  Not really, though, just a bunch of white poles and ropes hanging from them.  I think I like romanticizing sometimes. 
            The pelican flies low again and the helicopter hasn't moved in a good fifteen minutes.  I'm leaving for Big Sur in the morning so this will be my last night in the LAX area; an area that, much to my chagrin, I have actually enjoyed.  My dark-rimmed eyeglassed friends built this city up to be hell on Earth and despite the fact that the jeans are loose and the shirts and are even baggier, it has been anything but.  The hipness competition is nonexistent.  Thus, I don't have to listen to anyone preach about the cleanliness of the food industry or the atrocities on the other side of the world or the best hole in the wall bar in the coolest uncovered neighborhood in the city and it makes me breath easy to not see another soul in the entire three-mile square of the harbor.  Exhale.
            The sun is leaving and in its ever-growing absence, neon lights replace it; blue ones circling the edge of the water and red-orange-yellow ones lighting up restaurants and Ferris wheels.  There's a decent breeze and it hisses through the palm trees.  I love how still the harbor is and how quiet it feels.  Very relaxing.  Not like Chicago.  Less bustle.  More freedom of movement.  And as I look around, the helicopter hasn't moved and the boats sit still and the people have gone home and the birds and pelicans glide around effortlessly reflecting dimly off the smooth water.  The skyline is a series of hotel buildings and fishermen fumble, firing up their engines and the sky darkens as they retreat into it.  And I walk back home to the hotel, smiling at no one at all.  

1 comment:

  1. Brother. Forgive my long-overdue absence. You still got that pen hand, I see. I think you showed me this one before, or you read it to me. Yes, I think that's it. A couple things. First, I love the title and the picture (really like the picture) except it feels incongruent with the story. I feel like it would go a little better with some of the hunting stories you have. Other thing, (now this is only the text-thinking of a poor man--take with a grain of salt) I feel like two distinct stories are happening. I understand the natural progression of the waiting in the chicago airport and that stagnant frustration and then finally getting to LA and experiencing this liberation/relaxation. However, it's hard to see where this is resolved in the beach fully. Even though it seems that you've gone from frustration/conflict in chicago to peace/resolution in LA there is no active development by the character himself. These situations just befall him. Maybe that's not it at all, just another perspective. Entertain the idea of splitting up the stories at their separation and then fleshing out a progression of character rethinking/development/transformation--however subtle that may be-- in each one.
    word,
    GW

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